/Artists /Nick Simpson
 Re-imaged 2022The residency aimed to start conversations and connect artists with similar threads of making, and included exploration of collage, light, landscape, sound, projection, installation, and sculpture. The following artists participated in the event: Alex Pearl, Emma Tod, Richard Devereux, Gary Colclough, and Helen Maurer. |  Re-imaged 2022The residency aimed to start conversations and connect artists with similar threads of making, and included exploration of collage, light, landscape, sound, projection, installation, and sculpture. The following artists participated in the event: Alex Pearl, Emma Tod, Richard Devereux, Gary Colclough, and Helen Maurer. |  Re-imaged 2022The residency was a six-week series of experiments, live events, collaborations, and a changing core exhibition that took place from August 14th to September 21st in the General Practice Project Space. During the residency, artists explored a range of art forms, including collage, light, landscape, sound, projection, installation, and sculpture. The aim was to start conversations and connect artists who shared similar threads of making. |
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 peaks print |  Fractopia 2018 |  Fractopia print 2018 |
 Mulch 2017 CartridgesCollaboration between GP members, Artists Rob Britt, Ross Oliver, Nick Simpson, Ellen Brady and Nathan Baxter have constructed an interactive sound installation under the collaborative identity, “Mulch”, a project that uses analogue sound effects to sculpt live sound environments. Part of Futureshock Analogue Fringe – Frequency Festival’s unofficial fringe exploring the role of analogue and ‘obsolete’ technologies within contemporary arts practice curated by LPAC Producers. |  Lock down polaroids 2019 |  Sound Tables Collaboration A.L.ECollaboration Between Rob Britt & Nicholas Simpson |
 Fractopia slide 13. 2017 |  Fractopia-print 2017The first in a series of resedencies at the GP studios. |  Curio, Tricyclosynth May 2014 The TOwl Project worked with General Practice on a Curio partnership to create a new performance based around augmenting the Curio tricycle, transmitting sensor and camera data from the moving tricycle to control analogue synths and then relaying the audio back to the tricycle to be played back through a wooden acoustic horn mounted on the back. |
 Collaboration painting 2017Collaboration Painting between four member's of GP. | ![[gP] collaborative pieces](https://static.wixstatic.com/media/7d4082_8c4028d04fd04a2f85479f984817d9ea~mv2_d_4032_3024_s_4_2.jpg/v1/fill/w_250,h_187,al_c,q_90,enc_auto/7d4082_8c4028d04fd04a2f85479f984817d9ea~mv2_d_4032_3024_s_4_2.jpg) [gP] collaborative piecesYellow Belly - 2017 |  Installation viewVersus - Manchester |
 Tessa Farmer, 2009.6 Degrees at the Monks Gallery |
As an experimental artist, I work with light projection and repurposed materials, such as old glass sourced from charity shops. Through my practice, I explore the intersection of landscape and everyday scenes, capturing reflections and shadows through the medium of video and transforming them into fragmented, reimagined projections.
My work is informed by a deep curiosity and a desire to challenge the viewer's perception of the world around us. I believe that the everyday can be overlooked, and that through the use of repurposed materials, we can draw attention to the value of these discarded objects.
At the core of my artistic practice is a commitment to experimentation and exploration. I am constantly pushing the boundaries of my medium, using unexpected techniques and materials to create something truly unique. Through my art, I hope to inspire others to see the world with fresh eyes and to discover new perspectives.
Ultimately, my goal is to engage the viewer on both an emotional and intellectual level, creating an experience that is both thought-provoking and immersive. Through my practice, I seek to expand the possibilities of what art can be and to explore new ways of seeing and experiencing the world.