REEF

We currently have Julie Oxenforth in the General Practice Project Space as our artist in residence. She has been working playfully across the project space and surrounding locations, expanding her existing body of work.

A private view will take place on Friday 6th February, followed by the exhibition opening to the public on Saturday 7th February. Come along for our first show of 2026 warm up, have a drink, meet the artist, and join the conversation.

Working in site-specific installation, Oxenforth seeks to expand and energise each space she inhabits. Using objects and found ephemera, she moves between large-scale gestures and fine details, drawing the viewer into the present moment. Living on the North Sea shore, she is deeply attuned to the power and destruction of nature exploring fragility and resilience, impermanence and erosion.

FUZZY SOUP

Thursday 30th October 2025

DOORS OPEN: 18:30

EVENT STARTS: 19:00

Rob Britt presents a collation of videos screened in General Practice for one night only. Expect to see short films, movie scenes, some created by local artists and reframed alongside classic cinema.

All welcome and refreshments served as always. Wrap up warm!

THE WORKS

We’re thrilled to welcome the amazing @bend_laser to Lincoln.

Kicking off with a talk

Talk: 5–6pm, Tuesday 7th October - NDH1010, University of Lincoln (open to everyone)

Private View: immediately after at General Practice

Exhibition opening the follow weekend by appointment - just give us a message on Instagram @generalpractice

Ben will be sharing insights at the University before heading over to GP for the opening of his show. Everyone is warmly invited—don’t miss it!

A note from Ben:

The very first record I ever bought was The Works by Queen. I was seven, completely obsessed with “Radio Ga Ga”—especially the clapping bit. I picked it up from Midland Educational in Birmingham City Centre while my dad bought The Riddle by Nik Kershaw.

Fast forward to my teenage years, and I grew a little embarrassed to admit I loved Queen.

Years later, when I began painting again in my late twenties, I realised most of my canvases came from The Works. And just like with Queen, I felt that same twinge of embarrassment. Not anymore.

The Works at General Practice brings together almost all of my paintings made on canvases from The Works, alongside a new painting/sculpture celebrating my love of Queen (mainly Brian May’s guitar and Freddie Mercury’s moustache, if I’m honest) and their iconic album The Works.